Ryan Graves

Apr 18

Go to the show. “Spray Paint” @ Ian Ross Art Gallery, 466 Brannan.

Go to the show. “Spray Paint” @ Ian Ross Art Gallery, 466 Brannan.

.@tonyhawk inverted on a living room mini ramp.

.@tonyhawk inverted on a living room mini ramp.

great meeting and skating w/@tonyhawk last night, on the sickest “in home” mini ramp of all time.

great meeting and skating w/@tonyhawk last night, on the sickest “in home” mini ramp of all time.

Apr 17

Super proud of my bro @ianrossart, and his new show “spray paint”. Check out the show tomorrow night at 466 Brannan, SF.

Super proud of my bro @ianrossart, and his new show “spray paint”. Check out the show tomorrow night at 466 Brannan, SF.

.@snoopdogg’s selfie. ;)

.@snoopdogg’s selfie. ;)

Apr 15

swank.

swank.

behind the falls. yerba buena, dtsf.

behind the falls. yerba buena, dtsf.

Apr 13

Apr 12

visiting my favorite portlandians.

visiting my favorite portlandians.

Apr 11

Portland.

Portland.

Apr 10

saltvvater logo contest. entry #1. 04102014.

saltvvater logo contest. entry #1. 04102014.

Apr 09

logo for @saltwater #saltvvater. thoughts?

logo for @saltwater #saltvvater. thoughts?

Tips for budding photogs

Tips for budding photogs, from W.M. Hunt is a champion of photography – A collector, curator and consultant, author of “The Unseen Eye: Photographs from the Unconscious”. 

via http://blog.chasejarvis.com/blog/2012/12/top-10-tips-to-get-your-work-into-the-gallery-exclusive-interview-with-a-collector/

Top 10 tips for photographers who are looking to get their work in front of collectors, dealers and curators like yourself?
Figure out why you want to meet me. Work out if you want to realize something from the meeting. It’s fine to be introduced, but don’t be a jerk. Be smart. I WANT to like you, so help me. Make it worth MY while too.

1. Be talented.

2. Be smart. Think. Don’t be a jerk. Be engaging. If you are determined enough, you can meet anyone at least once. Take the situation seriously; don’t blow it. Take stock of yourself. Is the work fully realized and are you ready to approach museums or dealers?

3. Be focused. Be single minded. Be ambitious. Think in terms of the long haul and the full arc of your career.

4. Be clear. Be able to articulate what you are doing, not so much why you are doing it but literally what it is. Rehearse what you are going to say. Keep impeccable records about your work.

5. Be ready. Have prints, have disks, have a resume, have business cards. Don’t tell me, ‘they’re at home’ or that you are ‘still working on them.’ Give me something to remember you by. Send a thank-you note, even consider mailing it.

6. Be full. Have a life. Teach. Get commissions, commercial work, stock, whatever. Get money, make love, be happy. It will inform the work positively.

7. Be active. Be your own primary dealer. Take responsibility for museum and magazine drop-offs. Approach collectors yourself. Develop a mailing list. Market yourself. Send postcards. Donate prints to charity auctions. Go to openings. Make friends with your contemporaries. Use them. Always ask to be referred. Publish or get published. Get patrons, mentors, advisors. Use them. Bear in mind that if you set your mind to it, you can meet anyone … once. It’s that second meeting that proves difficult. When you do meet that person, be prepared.

8. Be receptive. Take notes. Bring a pencil and paper to appointments. Do your homework. Know what sort of work galleries show before you approach them. Go look. Say hello, but be sensitive to a dealer’s time demands (unless you’re buying something). Have a sense of what’s out there.

9. Be merciless with yourself. Edit, edit, edit. Edit, edit, edit. Take out anything marginal. Make me hungry to see more of your work.

10. Be patient. Please.

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